Critical terms for the study of (colonial) art from Quito

In recent years, various scholars have emphasized the connection between the emergence of the disciplines of history and art history, and the writing and invention of national narratives. This essay analyzes the persistent use or neglect of critical terms in the texts of key authors, such as Juan Le...

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Autore principale: Fernández-Salvador, Carmen (author)
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Lingua:spa
Pubblicazione: 2025
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Accesso online:https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270
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author Fernández-Salvador, Carmen
author_facet Fernández-Salvador, Carmen
author_role author
collection Revista Ciencias Sociales
dc.creator.none.fl_str_mv Fernández-Salvador, Carmen
dc.date.none.fl_str_mv 2025-12-02
dc.format.none.fl_str_mv application/pdf
audio/mpeg
application/zip
text/html
text/xml
dc.identifier.none.fl_str_mv https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270
dc.language.none.fl_str_mv spa
dc.publisher.none.fl_str_mv Facultad de Ciencias Sociales y Humanas/ Universidad Central del Ecuador
dc.relation.none.fl_str_mv https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11300
https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11305
https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11301
https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11302
https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11303
dc.rights.none.fl_str_mv Derechos de autor 2025 Carmen Fernández-Salvador
https://creativecommons.org/licenses/by-nc/4.0/
info:eu-repo/semantics/openAccess
dc.source.none.fl_str_mv Revista Ciencias Sociales; Núm. 47 (2025): Formas de Hacer Historia en la actualidad; 027-040
2960-8163
0252-8681
10.29166/csociales.vi47
reponame:Revista Ciencias Sociales
instname:Universidad Central del Ecuador
instacron:UCE
dc.subject.none.fl_str_mv historiografía
arte colonial
escuela artística
canon
raza
Juan León Mera
José Gabriel Navarro
historiography
colonial art
artistic school
canon
race
Juan León Mera
José Gabriel Navarro
dc.title.none.fl_str_mv Critical terms for the study of (colonial) art from Quito
Términos críticos para el estudio del arte quiteño (del período colonial)
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Dossier peer-review
Dossier evaluado por pares
description In recent years, various scholars have emphasized the connection between the emergence of the disciplines of history and art history, and the writing and invention of national narratives. This essay analyzes the persistent use or neglect of critical terms in the texts of key authors, such as Juan León Mera and José Gabriel Navarro, who during the second half of the nineteenth century and the first decades of the twentieth century were concerned with shaping a history of art in Ecuador, laying the foundations for future studies. This discussion allows us to question the writing of art history in Latin America, and particularly in Ecuador, and the relationship between this discipline and a homogenizing and excluding political project. Keywords: historiography, colonial art, artistic school, canon, race, Juan León Mera, José Gabriel Navarro    
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institution UCE
instname_str Universidad Central del Ecuador
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network_acronym_str REVCSOCIAL
network_name_str Revista Ciencias Sociales
oai_identifier_str oai:revistadigital.uce.edu.ec:article/8270
publishDate 2025
publisher.none.fl_str_mv Facultad de Ciencias Sociales y Humanas/ Universidad Central del Ecuador
reponame_str Revista Ciencias Sociales
repository.mail.fl_str_mv *
repository.name.fl_str_mv Revista Ciencias Sociales - Universidad Central del Ecuador
repository_id_str 0
rights_invalid_str_mv Derechos de autor 2025 Carmen Fernández-Salvador
https://creativecommons.org/licenses/by-nc/4.0/
spelling Critical terms for the study of (colonial) art from QuitoTérminos críticos para el estudio del arte quiteño (del período colonial)Fernández-Salvador, Carmenhistoriografíaarte colonialescuela artísticacanonrazaJuan León MeraJosé Gabriel Navarrohistoriographycolonial artartistic schoolcanonraceJuan León Mera José Gabriel NavarroIn recent years, various scholars have emphasized the connection between the emergence of the disciplines of history and art history, and the writing and invention of national narratives. This essay analyzes the persistent use or neglect of critical terms in the texts of key authors, such as Juan León Mera and José Gabriel Navarro, who during the second half of the nineteenth century and the first decades of the twentieth century were concerned with shaping a history of art in Ecuador, laying the foundations for future studies. This discussion allows us to question the writing of art history in Latin America, and particularly in Ecuador, and the relationship between this discipline and a homogenizing and excluding political project. Keywords: historiography, colonial art, artistic school, canon, race, Juan León Mera, José Gabriel Navarro    En los últimos años, desde la historia y la historia del arte se ha reflexionado sobre el origen de estas disciplinas en el Ecuador, y de qué manera en la segunda mitad del siglo XIX y en las primeras décadas del XX éstas sirvieron para dar forma – e inventar – narrativas nacionales. Este ensayo analiza el uso de términos críticos empleados u omitidos en los textos de autores clave, como Juan León Mera y José Gabriel Navarro, que durante la segunda mitad del siglo XIX y primeras décadas del XX se preocuparon en dar forma a una historia del arte en el Ecuador, sentando las bases para su posterior estudio en el país. Esta discusión permite interrogar a la escritura de la historia del arte en América Latina, y particularmente en el Ecuador, y la relación entre esta disciplina y un proyecto político homogeneizador y excluyente. Palabras clave: historiografía, arte colonial, escuela artística, canon, raza, Juan León Mera, José Gabriel NavarroFacultad de Ciencias Sociales y Humanas/ Universidad Central del Ecuador2025-12-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionDossier peer-reviewDossier evaluado por paresapplication/pdfaudio/mpegapplication/ziptext/htmltext/xmlhttps://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270Revista Ciencias Sociales; Núm. 47 (2025): Formas de Hacer Historia en la actualidad; 027-0402960-81630252-868110.29166/csociales.vi47reponame:Revista Ciencias Socialesinstname:Universidad Central del Ecuadorinstacron:UCEspahttps://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11300https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11305https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11301https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11302https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270/11303Derechos de autor 2025 Carmen Fernández-Salvadorhttps://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccess2025-12-02T01:05:37Zoai:revistadigital.uce.edu.ec:article/8270Portal de revistashttps://revistadigital.uce.edu.ec/Universidad públicahttps://uce.edu.ec/**Ecuador*2960-81632960-8163opendoar:02025-12-02T01:05:37Revista Ciencias Sociales - Universidad Central del Ecuadorfalse
spellingShingle Critical terms for the study of (colonial) art from Quito
Fernández-Salvador, Carmen
historiografía
arte colonial
escuela artística
canon
raza
Juan León Mera
José Gabriel Navarro
historiography
colonial art
artistic school
canon
race
Juan León Mera
José Gabriel Navarro
status_str publishedVersion
title Critical terms for the study of (colonial) art from Quito
title_full Critical terms for the study of (colonial) art from Quito
title_fullStr Critical terms for the study of (colonial) art from Quito
title_full_unstemmed Critical terms for the study of (colonial) art from Quito
title_short Critical terms for the study of (colonial) art from Quito
title_sort Critical terms for the study of (colonial) art from Quito
topic historiografía
arte colonial
escuela artística
canon
raza
Juan León Mera
José Gabriel Navarro
historiography
colonial art
artistic school
canon
race
Juan León Mera
José Gabriel Navarro
url https://revistadigital.uce.edu.ec/index.php/CSOCIALES/article/view/8270