Sanguínea by Gabriela Ponce or the Laughter of the Flesh

In light of Rosi Braidotti’s nomadism and the grotesque studied by Bakhtin, the aim is to open a way to affirmatively think the body in literature. After analyzing the myths of descent through Ricoeur’s anthropology, the images of the hollow in Gabriela Ponce’s Sanguínea (2019) are observed in order...

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Egile nagusia: Bustamante, Mateo (author)
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Argitaratua: 2022
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author Bustamante, Mateo
author_facet Bustamante, Mateo
author_role author
collection Revista Andina de Letras y Estudios Culturales
dc.creator.none.fl_str_mv Bustamante, Mateo
Bustamante, Mateo
dc.date.none.fl_str_mv 2022-03-10
dc.format.none.fl_str_mv application/pdf
text/html
dc.identifier.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/kipus/article/view/3267
10.32719/13900102.2022.51.9
dc.language.none.fl_str_mv spa
dc.publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
dc.relation.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/kipus/article/view/3267/2915
https://revistas.uasb.edu.ec/index.php/kipus/article/view/3267/3969
dc.rights.none.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
dc.source.none.fl_str_mv Kipus: Revista Andina de Letras y Estudios Culturales; No. 51 (2022): THE ECUADORIAN NOVEL. Experience of Complicity; 153-170
Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 51 (2022): LA NOVELA ECUATORIANA. Experiencia de complicidad; 153-170
2600-5751
1390-0102
reponame:Revista Andina de Letras y Estudios Culturales
instname:Universidad Andina Simón Bolivar
instacron:UASB
dc.subject.none.fl_str_mv hueco
carne
cuerpo
devenir
grotesco
diferencia
escritura
femenina
hollow
flesh
body
becoming
grotesque
difference
writing
feminine
dc.title.none.fl_str_mv Sanguínea by Gabriela Ponce or the Laughter of the Flesh
Sanguínea de Gabriela Ponce o la risa de la carne
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
description In light of Rosi Braidotti’s nomadism and the grotesque studied by Bakhtin, the aim is to open a way to affirmatively think the body in literature. After analyzing the myths of descent through Ricoeur’s anthropology, the images of the hollow in Gabriela Ponce’s Sanguínea (2019) are observed in order to propose this as a figuration of the body, that is, the flesh as hollow which ungrounds normative discourses of the body. Through this figuration, a connection is proposed between the writing of the body and the development of the Renaissance grotesque. In this connection we find the necessary laughter to write about the flesh, a destabilizing laughter of the reign of the Subject as Selfhood (universal, masculine, white, heterosexual, rational).
eu_rights_str_mv openAccess
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identifier_str_mv 10.32719/13900102.2022.51.9
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oai_identifier_str oai:revistas.uasb.edu.ec:article/3267
publishDate 2022
publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
reponame_str Revista Andina de Letras y Estudios Culturales
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repository.name.fl_str_mv Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivar
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spelling Sanguínea by Gabriela Ponce or the Laughter of the FleshSanguínea de Gabriela Ponce o la risa de la carneBustamante, MateoBustamante, MateohuecocarnecuerpodevenirgrotescodiferenciaescriturafemeninahollowfleshbodybecominggrotesquedifferencewritingfeminineIn light of Rosi Braidotti’s nomadism and the grotesque studied by Bakhtin, the aim is to open a way to affirmatively think the body in literature. After analyzing the myths of descent through Ricoeur’s anthropology, the images of the hollow in Gabriela Ponce’s Sanguínea (2019) are observed in order to propose this as a figuration of the body, that is, the flesh as hollow which ungrounds normative discourses of the body. Through this figuration, a connection is proposed between the writing of the body and the development of the Renaissance grotesque. In this connection we find the necessary laughter to write about the flesh, a destabilizing laughter of the reign of the Subject as Selfhood (universal, masculine, white, heterosexual, rational).A la luz del nomadismo de Rosi Braidotti y del grotesco estudiado por Bajtín, se pretende abrir una vía para pensar afirmativamente el cuerpo en la literatura. Luego de analizar los mitos de caída a través de la antropología de Ricoeur, se observan las imágenes del hueco en Sanguínea (2019) de Gabriela Ponce para proponer a este como una figuración del cuerpo, es decir, la carne como hueco que desfundamenta los discursos normativos del cuerpo. A través de esta figuración se propone una conexión entre la escritura del cuerpo y el desarrollo del grotesco renacentista. En esta conexión se encuentra la risa necesaria para escribir sobre la carne, una risa desestabilizadora del reino del Sujeto como Mismidad (universal, masculino,blanco, heterosexual, racional).Universidad Andina Simón Bolívar, Sede Ecuador2022-03-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revistas.uasb.edu.ec/index.php/kipus/article/view/326710.32719/13900102.2022.51.9Kipus: Revista Andina de Letras y Estudios Culturales; No. 51 (2022): THE ECUADORIAN NOVEL. Experience of Complicity; 153-170Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 51 (2022): LA NOVELA ECUATORIANA. Experiencia de complicidad; 153-1702600-57511390-0102reponame:Revista Andina de Letras y Estudios Culturalesinstname:Universidad Andina Simón Bolivarinstacron:UASBspahttps://revistas.uasb.edu.ec/index.php/kipus/article/view/3267/2915https://revistas.uasb.edu.ec/index.php/kipus/article/view/3267/3969https://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess2024-10-21T20:56:22Zoai:revistas.uasb.edu.ec:article/3267Portal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02024-10-21T20:56:22falsePortal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02024-10-21T20:56:22Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivarfalse
spellingShingle Sanguínea by Gabriela Ponce or the Laughter of the Flesh
Bustamante, Mateo
hueco
carne
cuerpo
devenir
grotesco
diferencia
escritura
femenina
hollow
flesh
body
becoming
grotesque
difference
writing
feminine
status_str publishedVersion
title Sanguínea by Gabriela Ponce or the Laughter of the Flesh
title_full Sanguínea by Gabriela Ponce or the Laughter of the Flesh
title_fullStr Sanguínea by Gabriela Ponce or the Laughter of the Flesh
title_full_unstemmed Sanguínea by Gabriela Ponce or the Laughter of the Flesh
title_short Sanguínea by Gabriela Ponce or the Laughter of the Flesh
title_sort Sanguínea by Gabriela Ponce or the Laughter of the Flesh
topic hueco
carne
cuerpo
devenir
grotesco
diferencia
escritura
femenina
hollow
flesh
body
becoming
grotesque
difference
writing
feminine
url https://revistas.uasb.edu.ec/index.php/kipus/article/view/3267