The syntax of violence
The present article reflects on the representation of violence in two literary and cinematic works: Los cachorros, by Mario Vargas Llosa, and Irreversible, by Gaspar Noé. It builds on the hypothesis that violence is constructed with a specific syntax that may correspond to a literary or audiovisual...
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| Format: | article |
| Jezik: | spa |
| Izdano: |
2019
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| Teme: | |
| Online pristup: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1381 |
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Dodaj oznaku | Sažetak: | The present article reflects on the representation of violence in two literary and cinematic works: Los cachorros, by Mario Vargas Llosa, and Irreversible, by Gaspar Noé. It builds on the hypothesis that violence is constructed with a specific syntax that may correspond to a literary or audiovisual language. Finally, it establishes that mimesis is not only found in the description of an object but rather in its syntax, in the construction of the sentence. |
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