Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
Netflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Base...
Պահպանված է:
| Հիմնական հեղինակ: | |
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| Այլ հեղինակներ: | |
| Ձևաչափ: | article |
| Լեզու: | spa |
| Հրապարակվել է: |
2022
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| Խորագրեր: | |
| Առցանց հասանելիություն: | https://revistas.uasb.edu.ec/index.php/uru/article/view/3592 |
| Ցուցիչներ: |
Ավելացրեք ցուցիչ
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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Ավելացրեք ցուցիչ | Ամփոփում: | Netflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Based on cultural studies and content analysis, here we are interested in formulating a reading of the cultural representations of the “Mexican”, in the key of the nation, which aim to build imaginaries of interculturality in the coordinates of narrative universes where there is a struggle for a re-definition of the human. In particular, the universe of Sense8 and the bolero is worked on: “Perfidia”, since it functions as a local signifier in a world where the limits of the national are broken by the effects of human “evolution”, but where it “Global” continues to maintain the geopolitical differences between North and South. Thus, a critical reading is proposed that speaks of the politics of representations in the context of the hyperproduction of narrative differences and bets for “inclusion” in Netflix. |
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