Sintaxis de la violencia (Dossier: Mímesis desde América Latina)
The present article reflects on the representation of violence in two literary and cinematic works: Los cachorros, by Mario Vargas Llosa, and Irreversible, by Gaspar Noé. It builds on the hypothesis that violence is constructed with a specific syntax that may correspond to a literary or audiovisual...
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| Үндсэн зохиолч: | |
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| Формат: | article |
| Хэл сонгох: | spa |
| Хэвлэсэн: |
2019
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| Нөхцлүүд: | |
| Онлайн хандалт: | http://hdl.handle.net/10644/7526 |
| Шошгууд: |
Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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Шошго нэмэх | Тойм: | The present article reflects on the representation of violence in two literary and cinematic works: Los cachorros, by Mario Vargas Llosa, and Irreversible, by Gaspar Noé. It builds on the hypothesis that violence is constructed with a specific syntax that may correspond to a literary or audiovisual language. Finally, it establishes that mimesis is not only found in the description of an object but rather in its syntax, in the construction of the sentence. |
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