“Cadáveres”: la puesta en escena de una memoria doliente (Dossier Seis miradas al cuerpo y al deseo de una poética latinoamericana desde hace cinco siglos)
In Latin America there are various aesthetic practices that problematize the experience of loss, pain and the materiality of bodily remains as a space for the response of regimes that regulate life: the corpse is in them the protagonist of the lived experience, the motor of questions and aesthetic f...
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| Μορφή: | article |
| Γλώσσα: | spa |
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2017
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| Διαθέσιμο Online: | http://hdl.handle.net/10644/7295 |
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Προσθήκη ετικέτας | Περίληψη: | In Latin America there are various aesthetic practices that problematize the experience of loss, pain and the materiality of bodily remains as a space for the response of regimes that regulate life: the corpse is in them the protagonist of the lived experience, the motor of questions and aesthetic formulations, as well as the horizon of political bets. From the approach of a founding text of neo-baroque poetry and the theme of the corpse in Latin America: “Cadáveres” (1981) by Néstor Perlongher, this article proposes a reflection on how aesthetics, from the poetic point of view, can give an account of a bereavement in suspense and can make a practice of mourning memory that confronts the arbitrary political ordering of bodies. |
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