Sobre el poder de la literatura. La obra de Laura Alcoba y otras producciones artísticas de hijos de militantes en la Argentina (Dossier: Producir presente: tocar el cuerpo, escritura, mujeres, paisajes, afectos. Narrativa contemporánea de escritoras en América Latina)
This article analyzes El azul de las abejas (2014), by Laura Alcoba, emphasizing its almost happy ending: a girl who, after having experienced a violent past in Argentina, exile and a laborious itinerary, manages to settle in another language, French, and thus build a new identity as a writer. In ad...
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| フォーマット: | article |
| 言語: | spa |
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2018
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| オンライン･アクセス: | http://hdl.handle.net/10644/6794 |
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タグ追加 | 要約: | This article analyzes El azul de las abejas (2014), by Laura Alcoba, emphasizing its almost happy ending: a girl who, after having experienced a violent past in Argentina, exile and a laborious itinerary, manages to settle in another language, French, and thus build a new identity as a writer. In addition, the works produced by Alcoba dialogue with other artistic productions by children of militants in Argentina: Diario de una princesa montonera (Mariana Eva Pérez, 2012), Pequeños combatientes (Raquel Robles, 2013) and the photographic exhibition Arqueología de la ausencia (Lucila Quieto, 2011). This transmedial richness enables us to think about new articulations of meaning in relation to memory construction in the Southern Cone. |
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