La invención del arte colonial en la era del progreso: crítica, exposiciones y esfera pública en Quito durante la segunda mitad del siglo XIX (Dossier: Historias críticas del arte; diálogos transdisciplinarios e indagaciones sobre la estructuración del campo artístico)
This research provides an account of the selection process whereby colonial art in nineteenth-century Ecuador is perceived. To this end, the appearance of a sort of budding art criticism is highlighted, one that is concerned about educating the modern observer. It also examines how the country’s art...
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| Format: | article |
| Language: | spa |
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2018
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| Online Access: | http://hdl.handle.net/10644/6506 |
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Hispanoamérica y sus paradojas en el ideario filosófico de Juan León Mera
