Antropófagos, pederastas, sabios: los personajes anormales de Pablo Palacio y el descrédito de la construcción de la verdad [Dossier Literatura Ecuatoriana (Siglos XX-XXI): otros desciframientos (Ponencias presentadas en el Congreso de la Asociación de Ecuatorianistas, Quito, 20-21 de julio de 2015)]
Whether due to the sui generis of his narrative or his tormented biography, Pablo Palacio is still considered the great abnormal of Ecuadorian literature. However, it is possible to read Palacio’s work as an admirably lucid reflection on the processes of construction of “truth” and “reality” in his...
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| Formáid: | article |
| Teanga: | spa |
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2016
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| Rochtain ar líne: | http://hdl.handle.net/10644/6805 |
| Clibeanna: |
Cuir clib leis
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Cuir clib leis | Achoimre: | Whether due to the sui generis of his narrative or his tormented biography, Pablo Palacio is still considered the great abnormal of Ecuadorian literature. However, it is possible to read Palacio’s work as an admirably lucid reflection on the processes of construction of “truth” and “reality” in his society, as well as, more particularly, the production of identities marked as specifically “abnormal” by such discourses of “truth” and “reality.” In this article we reread the stories “Un hombre muerto a puntapiés” and “El antropófago”, as well as two of Palacio’s philosophical texts, to look for new meanings to the famous programmatic slogan of the author: “the discrediting of present realities”. |
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