La geografía cultural de Luis A. Martínez: espacios e identidad (Crítica)
With the novel A la Costa (1904) by Luis A. Martínez, the Coastal space enters the Ecuadorian narrative. The relationship between geography and literature attests, here, to a unique cultural appropriation of coastal nature, which is transformed by the narrator’s numerous and detailed descriptions in...
Saved in:
| Hovedforfatter: | |
|---|---|
| Format: | article |
| Sprog: | spa |
| Udgivet: |
2021
|
| Fag: | |
| Online adgang: | http://hdl.handle.net/10644/8235 |
| Tags: |
Tilføj Tag
Ingen Tags, Vær først til at tagge denne postø!
|
Tilføj Tag | Summary: | With the novel A la Costa (1904) by Luis A. Martínez, the Coastal space enters the Ecuadorian narrative. The relationship between geography and literature attests, here, to a unique cultural appropriation of coastal nature, which is transformed by the narrator’s numerous and detailed descriptions into space-values. The author studies the modalities by which spaces and landscapes are treated, between realism, costumbrismo and herderian romanticism, in order to understand the values assumed by coastal spaces; values that are not only economic, political or ideological, but also identitary and even spiritual. We observe how they gradually shape a genius that refers to a particular Volkgeist for the cultural panorama of the time, for having a sublime dimension, which also, incidentally characterizes the pictorial production of Martínez as a landscape painter. |
|---|