Imaginarios desde la distopía: política, tecnología y públicos en Black Mirror (Monográfico)
Black Mirror (2011) is a series with great distribution and circulation capacity. The objective is to analyze the imaginaries about the relationship between politics, technology and the public in three chapters of the series that have relevant content. The study has a qualitative and hermeneutical a...
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| 格式: | article |
| 語言: | spa |
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2022
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| 在線閱讀: | http://hdl.handle.net/10644/8891 |
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添加標簽 | 總結: | Black Mirror (2011) is a series with great distribution and circulation capacity. The objective is to analyze the imaginaries about the relationship between politics, technology and the public in three chapters of the series that have relevant content. The study has a qualitative and hermeneutical approach, interpretive on these chapters. This article is born from a conceptual base that differs from deterministic tendencies, while trying to go beyond technophobia or philophobia for a critical study of instrumentalisms, it shows the uses and appropriations of technologies in relation to politics, based on authors such as Raymond Williams, Roger Silverstone, Eric Hirsch, David Morley and Manuel Castells. It is also relevant to analyze the imaginaries about the public, who are mostly drawn as spectators and passive consumers in times of digitization and the multiplicity of screens, they are also shown as public- network and mass-network, with possibility, sometimes limited, of struggle and spontaneous action. |
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