El coral un puente entre etnias: análisis de tres obras del álbum Stabat Mater de Karl Jenkins, aplicado a la composición de tres obras escritas en Huaorani, en formato a cuatro voces y piano

The present assignment focuses on the preparation of a portfolio, in which, the composition of three themes in the wuao language will be established, this is a four-fold format and piano. In this paper, two musical worlds are analyzed, on the one hand the main chants of the Wuaorani community located in the Ecuadorian Amazon. On the other hand, three works of the composer Karl Jenkins (born in Wales on February 17, 1944) from his album Stabat Mater considered one of the references in contemporary music that has stood out for using as a base, classical music with vocal sounds and ethnic percussion. As for the analysis, in terms of wuao chants, the micro-form analysis of transcriptions is done based on the Duranibai publication of the musicologist Juan Carlos Franco, as well as a treatment of the text, this located in the annexes. On the other hand, for the works of Jenkins an analysis of micro-form, macro-form, musical analysis is made based on the popular music of Alejandro Martínez and finally, the analysis of the form based on William Caplin. Finally, for the composition, the result of the above-mentioned analyzes will be used, introducing the main melodies of the Wuao songs in the different compositional tendencies of the three works chosen by Jenkins. The three compositions are related to the main activities in the community with the main activities in the community such as the need for peace, hunting and the care of children specifically.

• Tác giả chính: Panchi Nieto, David Andrés (author)
• Định dạng: bachelorThesis
• Ngôn ngữ: spa
• Được phát hành: 2018
• Những chủ đề: ANÁLISIS MUSICAL; MÚSICA ECUATORIANA; HUAORANI; JENKINS, KARL, 1944; FUSIÓN MUSICAL; COMPOSICIÓN MUSICAL
• Truy cập trực tuyến: http://dspace.udla.edu.ec/handle/33000/8554