Paradigmas del tiempo cinematográfico: perspectiva del espectador
This thesis work analyzes the cinematographic time and its direct relation with the experience of the spectators. The main objective is to know the current paradigms with which a cinematographic work in general is understood and felt. Talking about specific objectives,first comes the investigation o...
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| Format: | bachelorThesis |
| Idioma: | spa |
| Publicat: |
2019
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| Matèries: | |
| Accés en línia: | http://dspace.udla.edu.ec/handle/33000/11667 |
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Afegir etiqueta | Sumari: | This thesis work analyzes the cinematographic time and its direct relation with the experience of the spectators. The main objective is to know the current paradigms with which a cinematographic work in general is understood and felt. Talking about specific objectives,first comes the investigation of the empathic reception of the cinematographic time of the project Somos short film by Marcos Bermúdez. The second specific objective is to offer a reflection about the consequences of the evolution that cinematographic time has had, and continues evolving. In the conclusions, the implications of the results obtained through the practice of focus group are deeply studied in order to know the thoughts and feelings of the notion of elapsed time from the perspective of the spectators. |
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