La clave de Octopus: análisis comparativo entre los patrones rítmicos de batería de tres temas de Horacio ´el Negro´ Hernández con patrones rítmicos de la rumba columbia y guaguancó, aplicado a un estándar de latin-jazz y un concierto final
This thesis proposes a comparative analysis between the rhythmic patterns of the Cuban drummer Horacio "el Negro" Hernández, and the traditional folkloric patterns of two types of rumba: the columbia and the guaguancó. This was done by relating each of the rhythms played by Hernández in 3...
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| Materialtyp: | bachelorThesis |
| Språk: | spa |
| Publicerad: |
2019
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| Länkar: | http://dspace.udla.edu.ec/handle/33000/11215 |
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Lägg till en tagg | Sammanfattning: | This thesis proposes a comparative analysis between the rhythmic patterns of the Cuban drummer Horacio "el Negro" Hernández, and the traditional folkloric patterns of two types of rumba: the columbia and the guaguancó. This was done by relating each of the rhythms played by Hernández in 3 transcribed themes and the traditional patterns proposed by the well-known percussionist and musicologist Ed Uribe in his book the esscence of afro cuban music. After this analysis an arrangement of a jazz standard was created turning it into Latin jazz to understand how to use these patterns (both folkloric and modern) in modern music and also in genres not very related to Cuban music. In addition to this, the research helped to understand and learn more in depth about Afro- Cuban rhythms and their applications in modern jazz-drums. Some of the most important results of the study were to understand the importance and relationship of the rumba key with each of the patterns. In addition to this, they have been able to determine some rhythmic patterns in drums to interpret rumba and Latin jazz. Finally, it was possible to understand how these rhythmic patterns and styles are related to jazz themes and how they could be adapted. It has been possible to conclude that the key of rumba has an imperative importance in this genre and must always be interpreted in conjunction with the other patterns. It was also possible to determine that the rhythmic patterns of Horacio Hernández do not present only elements of the rumba, since Cuban music has elements of each of its sub-genres mixed with each other, which contribute to great wealth. |
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