Fotografía conceptual aplicada a productos editoriales

This research is about conceptual photography and its impact on its adaptation to editorial producers because of the absence of knowledge of the internal and external locality of handling and applying this form of distinctive photography to know how to do it. This research study was taken under a qu...

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Tác giả chính: Chicaiza Villavicencio, Germán Alejandro (author)
Định dạng: bachelorThesis
Ngôn ngữ:spa
Được phát hành: 2022
Những chủ đề:
Truy cập trực tuyến:http://dspace.unach.edu.ec/handle/51000/9214
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author Chicaiza Villavicencio, Germán Alejandro
author_facet Chicaiza Villavicencio, Germán Alejandro
author_role author
collection Repositorio Universidad Nacional de Chimborazo
dc.contributor.none.fl_str_mv Cadena Figueroa, Marcela Elizabeth
dc.creator.none.fl_str_mv Chicaiza Villavicencio, Germán Alejandro
dc.date.none.fl_str_mv 2022-06-02T15:36:37Z
2022-06-02T15:36:37Z
2022-06-02
dc.format.none.fl_str_mv 75 páginas
dc.identifier.none.fl_str_mv UNACH-EC-FCEHT-DGR
http://dspace.unach.edu.ec/handle/51000/9214
dc.language.none.fl_str_mv spa
dc.publisher.none.fl_str_mv Riobamba
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by-nc-sa/3.0/ec/
info:eu-repo/semantics/openAccess
dc.source.none.fl_str_mv reponame:Repositorio Universidad Nacional de Chimborazo
instname:Universidad Nacional de Chimborazo
instacron:UNACH
dc.subject.none.fl_str_mv Fotografía Conceptual
Línea Gráfica
Storyteller
Posmodernidad
dc.title.none.fl_str_mv Fotografía conceptual aplicada a productos editoriales
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/bachelorThesis
description This research is about conceptual photography and its impact on its adaptation to editorial producers because of the absence of knowledge of the internal and external locality of handling and applying this form of distinctive photography to know how to do it. This research study was taken under a qualitative approach. This procedure helps us collect the necessary information to propose and adapt it to a product without altering its editorial structure. The Editorial "La Prensa" has several exemplars; they handle their graphic line and compositional elements. In each of them, we try to adapt it without modifying its structure or category. To adapt conceptual photography, we have to know the kind of message that we want to transmit to the public because the image takes greater importance at the moment of transmitting a message. One of the most outstanding examples to follow is Jeff Wall, who was known as a storyteller interpreting his photographs in postmodernity. A photographer tries to bring a story, a message that can be identified with his visual audience, a message that projects an experience. The creative process of this photographic category is based on how to tell a story only by viewing its image since this way. We will continue to treat the subject of the copy. The objective is to project a new photographic application to editorial products with a new, highly functional touch in front of their copies, thus generating attractiveness.
eu_rights_str_mv openAccess
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instname_str Universidad Nacional de Chimborazo
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publishDate 2022
publisher.none.fl_str_mv Riobamba
reponame_str Repositorio Universidad Nacional de Chimborazo
repository.mail.fl_str_mv .
repository.name.fl_str_mv Repositorio Universidad Nacional de Chimborazo - Universidad Nacional de Chimborazo
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rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/3.0/ec/
spelling Fotografía conceptual aplicada a productos editorialesChicaiza Villavicencio, Germán AlejandroFotografía ConceptualLínea GráficaStorytellerPosmodernidadThis research is about conceptual photography and its impact on its adaptation to editorial producers because of the absence of knowledge of the internal and external locality of handling and applying this form of distinctive photography to know how to do it. This research study was taken under a qualitative approach. This procedure helps us collect the necessary information to propose and adapt it to a product without altering its editorial structure. The Editorial "La Prensa" has several exemplars; they handle their graphic line and compositional elements. In each of them, we try to adapt it without modifying its structure or category. To adapt conceptual photography, we have to know the kind of message that we want to transmit to the public because the image takes greater importance at the moment of transmitting a message. One of the most outstanding examples to follow is Jeff Wall, who was known as a storyteller interpreting his photographs in postmodernity. A photographer tries to bring a story, a message that can be identified with his visual audience, a message that projects an experience. The creative process of this photographic category is based on how to tell a story only by viewing its image since this way. We will continue to treat the subject of the copy. The objective is to project a new photographic application to editorial products with a new, highly functional touch in front of their copies, thus generating attractiveness.La presente investigación trata sobre la fotografía conceptual y en el impacto que generaría su adaptación a los productores editoriales. Esto se debe a la falta de conocimiento en la localidad interna y externa de cómo manejar u aplicar esta forma distintiva de la fotografía, para conocer cómo realizarla se tomó el estudio de investigación bajo un enfoque cualitativo, esto nos ayuda a recolectar la información necesaria para la realización de una propuesta sobre cómo adaptarla a un producto sin alterar su estructura editorial. La Editorial “La Prensa” cuenta con varios tipos de ejemplares, se manejan con su línea gráfica y sus elementos compositivos, en cada uno de ellos se intenta aptarlo sin modificar su estructura ni su categoría, para realizar la adaptación de la fotografía conceptual tenemos que conocer el tipo de mensaje que deseamos transmitir al público ya que la imagen toma una mayor importancia al momento de transmitir un mensaje. Uno de los mayores ejemplos a seguir es Jeff Wall que se le conocía como un storyteller interpretando sus fotografías en la posmodernidad, lo que un fotógrafo trata de realizar es llevar una historia un mensaje que se pueda identificar con su público visual, un mensaje que proyecte una experiencia. El proceso creativo de esta categoría fotográfica se basa en como poder narrar una historia con solo visualizar su imagen, ya que así seguiremos tratando con el tema de su ejemplar. El objetivo es proyectar una nueva aplicación fotográfica a los productos editoriales, que tenga un nuevo toque altamente funcional ante sus ejemplares así generando atracción.UNACH, EcuadorRiobambaCadena Figueroa, Marcela Elizabeth2022-06-02T15:36:37Z2022-06-02T15:36:37Z2022-06-02info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesis75 páginasUNACH-EC-FCEHT-DGRhttp://dspace.unach.edu.ec/handle/51000/9214spahttp://creativecommons.org/licenses/by-nc-sa/3.0/ec/info:eu-repo/semantics/openAccessreponame:Repositorio Universidad Nacional de Chimborazoinstname:Universidad Nacional de Chimborazoinstacron:UNACH2022-07-23T08:05:00Zoai:localhost:51000/9214Institucionalhttp://dspace.unach.edu.ec/Universidad públicahttps://www.unach.edu.ec/http://dspace.unach.edu.ec/oai.Ecuador...opendoar:02022-07-23T08:05Repositorio Universidad Nacional de Chimborazo - Universidad Nacional de Chimborazofalse
spellingShingle Fotografía conceptual aplicada a productos editoriales
Chicaiza Villavicencio, Germán Alejandro
Fotografía Conceptual
Línea Gráfica
Storyteller
Posmodernidad
status_str publishedVersion
title Fotografía conceptual aplicada a productos editoriales
title_full Fotografía conceptual aplicada a productos editoriales
title_fullStr Fotografía conceptual aplicada a productos editoriales
title_full_unstemmed Fotografía conceptual aplicada a productos editoriales
title_short Fotografía conceptual aplicada a productos editoriales
title_sort Fotografía conceptual aplicada a productos editoriales
topic Fotografía Conceptual
Línea Gráfica
Storyteller
Posmodernidad
url http://dspace.unach.edu.ec/handle/51000/9214