La ilustración conceptual aplicada a propuestas innovadoras del tatuaje.

The present investigation called conceptual illustration applied to innovative tattoo proposals conceptually addresses two variables: illustration and tattoo. Illustration has historically been related to both didactic and aesthetic processes; Regarding the use of the illustration within the tattoo, it is focused on the aesthetic part in order to denote a special meaning for the person who is tattooed. Four techniques are analyzed primarily: Realistic, which is based on making a copy of an image as exact as possible, through the use of lights and shadows that the image entails in directions, giving an effect of depth, establishing two types of gray realism and also in colour. Traditional. – usually abstracts the elements of the images to obtain a thick line without losing its shape, they are usually in black and color, for this reason, the color ones involve primary colors and their color degradation; in very exceptional cases they are usually degraded with black. Neotraditional. – thick and forceful lines are produced highlighting their volume, also represented by the variety of colors, they have more pronounced details to give the design more dynamism. New School. - is characterized by having volume in its designs and also by the number of striking colors, giving a strong color contrast. What stands out the most to the style is the level of detail that can be visualized and the exaggerated shape of the designs. As the main methodological process, the qualitative approach is taken, which is based primarily on observation. To comply with this process, the creative processes carried out by the following artists were observed: Luis Casco, Marlon Flores, Nicolas Jaramillo, Adrián Luna and Juan Baldeón. Once observed, both the technical process was analyzed, including the variables: type, techniques and methodologies, which are made up of four phases: the first is based on the Walt Disney methodology, phase two takes into account the specific and preferential conditions of the client regarding the style of the tattoo; in this process the contributions of the Robert Scott method were considered. Phase three is entirely practical creative, starting from reference images to proceed to the use of abstraction of elements until reaching the final sketch. Within phase four, the final sketch or final art is developed, both outlined and its full color version and its grayscale version. The main result is the development of a methodology where the principles of design and the technical and methodological processes of the tattoo artists observed are merged. It is presented in the form of a catalog of conceptual illustration. This will serve to promote clients and is also a basic tool to strengthen the quality of the author's tattoos.

• Tác giả chính: Vallejo Rodríguez, León Benigno (author)
• Định dạng: bachelorThesis
• Ngôn ngữ: spa
• Được phát hành: 2023
• Những chủ đề: Tatuajes; Ilustración; Neo-tradicional; Tradicional
• Truy cập trực tuyến: http://dspace.unach.edu.ec/handle/51000/10460