Twitter como dispositivo de control de la sociedad red desde la perspectiva crítico-estructuralista de Michel Foucault: caso Mamela Fiallo y Luis Vivanco, periodo febrero-agosto 2021.
In the last decade, the social network Twitter has become one of the essential social applications in the world. Its relevance around public opinion has caused different social, political, and cultural phenomena in the places whose population has access to this network. However, the operation applic...
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| Hovedforfatter: | |
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| Format: | bachelorThesis |
| Sprog: | spa |
| Udgivet: |
2022
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| Fag: | |
| Online adgang: | http://dspace.unach.edu.ec/handle/51000/9286 |
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| Summary: | In the last decade, the social network Twitter has become one of the essential social applications in the world. Its relevance around public opinion has caused different social, political, and cultural phenomena in the places whose population has access to this network. However, the operation application has raised questions in recent years, both due to censorship and the spread of so-called fake news and the use of the personal data of the thousands of Twitter users by companies, politicians, and governments. Between constant surveillance, hacktivism, and cancellation, this research studies the relationship of this social network as a disciplinary device from the critical structuralist perspective of Michel Foucault, focused on surveillance, punishment, discourse, resistance, biopower, counter, conduct, and the death of the man. Through the work of Foucault, this paper seeks to conceptualize the socio-cultural-behavioral phenomenon of the network society proposed by Manuel Castells, based on the failure of the Enlightenment thought proposed in The Dialectic of Enlightenment by Adorno and Horkheimer, the societies of control and disciplinary of Deleuze, among several others. Finally, this research argues that the digital communication industries have constituted the death of man to give way to the concept of the digital divide, during a remarkable return to the myth of God from the figure of Artificial Intelligence representing the maximum result of instrumentalization of reason. |
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