Influencia de lo clásico, lo onírico y estética del ilusionismo en dos obras emblemáticas de Magritte y la creación de una propuesta plástica

This research focuses on the influence of the classical, the dreamlike aesthetics of illusionism and basis of knowledge and bibliographic data and historical so as to be able to analyze the work of René Magritte and therefore pose a proposal plastic base with surreal contextualized to the current situation. And it is from the writings of Freud, that changes the profile that the man had of himself, and Breton in his first manifesto has been interested in the theories of psychoanalysis, the unconscious, the libido and dreams; directing them to the artistic creation and it is exactly that on track dreamlike Surrealismo emerge the artist Rene Magritte with its peculiar form of expression in the art of painting, is served from linguistics and illusionism through images of everyday life. René Magritte, shows a transparency illusory in his work questioning the reality and leaving between said its proposal ambiguous and attractive of its philosophical aesthetics, that is why in this investigative work is necessary to determine the influence of the classical, the dreamlike and aesthetics of illusionism through the analysis of two works: The treachery of images and the false mirror, as a guide in the development of a proposal focused on the plastic paint, with philosophical foundations that are interpreted in the present era. This way of conceiving the art as a way to recreate the thoughts of the artist, arises the proposal plastic bases, to surreal expressed in a work of art with a pictorial language staff.

• প্রধান লেখক: Sigcho González, Senaida Guillermina (author)
• বিন্যাস: bachelorThesis
• ভাষা: spa
• প্রকাশিত: 2014
• বিষয়গুলি: PINTURA; PINTURA CLÁSICA; SURREALISMO; ESTÉTICA ILUSIONISTA
• অনলাইন ব্যবহার করুন: http://dspace.unl.edu.ec/jspui/handle/123456789/21379