Manipulación digital fotográfica sobre las ofrendas florales de la cultura Saraguro bajo leyes de la forma plástica
This research examines at a deep level the components of visual art, using the theme of the circular arrangements of the four Andean festivities celebrated in Saraguro Canton. This is to allocate the deserved recognition of the ancestral practices of this culture through knowledge of both, the laws...
Saved in:
| Main Author: | |
|---|---|
| Format: | bachelorThesis |
| Language: | spa |
| Published: |
2016
|
| Subjects: | |
| Online Access: | http://dspace.unl.edu.ec/jspui/handle/123456789/17266 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Add Tag | Summary: | This research examines at a deep level the components of visual art, using the theme of the circular arrangements of the four Andean festivities celebrated in Saraguro Canton. This is to allocate the deserved recognition of the ancestral practices of this culture through knowledge of both, the laws of plastic form; dimension, size, composition, and contemporary tools of expression; as digital photography manipulated with Photoshop. Deductive method, was followed for the study of the Andean world specifically the Saraguro’s cosmology and symbolism. This was shown in circular arrangements offered up in the celebrations of Pawkar Raymi, Inti Raymi, Kuya Raymi and Capac Raymi. Inductive method was used through observation of the colors and designs employed in these arrangements, as well as their structures. In the author’s creative images theoretical Visual Language is applied. By Photoshop manipulation the author shows the integration of Andean worldview and Visual Language |
|---|
Armonías de primavera