Difusión de la Suite Cumandá del compositor Byron Obando Mayorga. Análisis musical e Interpretación de los movimientos 3,7 y 9 para violín solista y orquesta sinfónica

The present work of curricular integration arises from the need to publicize the Ecuadorian academic repertoire for the violin instrument so they not only rest in archives, but also be interpreted and disseminated. The general objective was to contribute to the dissemination of the Suite Cumandá by the composer Byron Obando Mayorga for violin and symphony orchestra through the analysis and interpretation of movements three, seven and nine. For the present work, the qualitative approach was carried out, applying an interview with the composer under study to delve into aspects related to the musical work of the composer Obando Mayorga. Among the most relevant results, after having analyzed the interview applied to the composer, it can be said that the work Cumandá initially consisted of twenty chapters. However, the composer tried to narrate the entire story musically but in fewer movements, considering that each represents various Ecuadorian rhythms. Regarding the most relevant conclusion of this project, it can be mentioned that when carrying out the formal musical analysis of the work, it allowed us to know that it is impregnated by the avant-garde style with a nationalist tendency, thus improving the understanding and interpretation of the construction site. Keywords: musical analysis,ecuadorian music, violin instrument

• 1. Verfasser: Loarte Aguilar, Santiago Israel (author)
• Format: bachelorThesis
• Sprache: spa
• Veröffentlicht: 2023
• Schlagworte: < ANÁLISIS MUSICAL > < MÚSICA ECUATORIANA> <INSTRUMENTO VIOLÍN>
• Online Zugang: https://dspace.unl.edu.ec/jspui/handle/123456789/27275