Análisis de contenido de la caricatura política ecuatoriana, en las caídas presidenciales, entre los años 1995 y 2000, en los periódicos El Comercio y hoy, de la ciudad de Quito.
The paper presents an investigation about the comic strip, theory and an extensive understanding of the technic, besides a rich language that goes beyond the symbolism. The comic strip is more than a drawing that exaggerates specific features, its structure expresses an event seen from the critics p...
Պահպանված է:
| Հիմնական հեղինակ: | |
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| Ձևաչափ: | bachelorThesis |
| Լեզու: | spa |
| Հրապարակվել է: |
2013
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| Խորագրեր: | |
| Առցանց հասանելիություն: | http://dspace.ups.edu.ec/handle/123456789/4992 |
| Ցուցիչներ: |
Ավելացրեք ցուցիչ
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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Ավելացրեք ցուցիչ | Ամփոփում: | The paper presents an investigation about the comic strip, theory and an extensive understanding of the technic, besides a rich language that goes beyond the symbolism. The comic strip is more than a drawing that exaggerates specific features, its structure expresses an event seen from the critics point of view, and delivered to an audience by a communicative medium. The comic strip uses tools such body language and facial exprecions, colors and perspectives that complement the cartoon as a whole. But by being an image it must contain elements of character that make journalism the gap that separates it from art, thats where elements such as context, immediacy and the bond with the audience get involved. |
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