“Estudio iconográfico de la cultura pasto en la fase tuza, provincia de Carchi y su relación a la industria textil”
The present research project proposes to rescue the lost cultural identity through the graphic resources of the Tuza iconography present in the ceramic plates. Since globalization has been a means of consumption that has allowed the development of new foreign cultural characters. So that the main ob...
שמור ב:
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| מחברים אחרים: | |
| פורמט: | bachelorThesis |
| שפה: | spa |
| יצא לאור: |
2023
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| נושאים: | |
| גישה מקוונת: | http://repositorio.utc.edu.ec/handle/27000/10514 |
| תגים: |
הוספת תג
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הוספת תג | סיכום: | The present research project proposes to rescue the lost cultural identity through the graphic resources of the Tuza iconography present in the ceramic plates. Since globalization has been a means of consumption that has allowed the development of new foreign cultural characters. So that the main objective for the investigation is the iconographic study of the Tuza Phase, to apply them in textile products as a recognition of the cultural Identity in this way it is intended to preserve the ancestral roots and to spread the graphic elements. For the study, the archaeological pieces that rest in the German Bastidas Vaca and Blas Ángel Museums were considered, of which the universal sample is used, using the Erwin Panofsky methodology that has three levels for analysis: Pre-iconographic, iconographic and iconological, It allowed the study and classification of the graphic pieces since they can be analyzed more precisely and following a logical mechanism. As a result, through the graphic elements present in the ceramic plates of the Tuza Phase, the iconographic decomposition is based on to generate new modules, the fundamentals of two-dimensional design are taken as parameters to create a composition and produce an attractive modular structure, each design is applies to Mayra-tex textile products awarded on textile supports. |
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