Memorias urbanas y arte contemporáneo.

This process is directed to the construction of the artistic work from the collective platforms, allows to diversify the concessions and objective perspectives of the local artistic work within the global, for such conscious reason a thematic is handled for the discourse of the exhibition, this allows to be Unity in the collective that we assume the artists involved in the stipulated requirements. The groups of artists do not necessarily work in collaboration, more in discursive adaptation, this was characteristic of the activity of the painters of the guild painters and not of the individualistic personality of contemporary artists. In this, it is usually considered a feature of originality or even of contestation as a way of trying an independent art away from the structures and market of art. Contemporary art has a direct relation with the public considering its participation in the proposal, and it is there where "Visual community readings" title of the artistic proposal that arises from the absence of traditional places destined to the reading of comic magazines. Within these perspectives taking into account the influence of the comic in motivating the reading in the communities, thus realizing a culture by reading, at a young age the textual graphics united to be able to understand the actions in the vignettes with which the comic is conformed , This collective policy asserting the power of reading from life stories are in cases of fantastic genre are literature, which provides languages ​​and social experiences, its Psychological action extends the continuity of reading to further expand knowledge, is healthy practice fosters breadth Of criteria endowing a baggage of words that enrich our language, art in its contemporary platform builds this socio-cultural space, thus structured the comic as an educational strategy strengthening the bases of sharing the reading by the need to know the stories recounted graphically supported of The image to make it attractive for everyone, this step is a good way to recreate in reading to make it something habitual. By using contemporary art from the intervention, it is possible to create spaces that are conducive to reading, and these could become attractive libraries where the community can find stories to read, in which they are identified, categorized in genres with the In which they are written, in their construction the visual readings render that feeling of living the graphic stories, in them feel euphoria sensations accompanied by the pleasure of reading, thus making its world gradually in continuous readings, texts of the authors of these captured stories In vignettes where his creativity and his research allow to realize them and to recreate them, in conclusion we have positive factors in the historical in the amplitude of criteria, to appreciate the art of comic like something serious where an artist conceived these stories nicknamed as comic strips, that they become familiar For who decides to read them for multiple reasons plus a single result to be a participant of this art that has its space within the art of the origins of the creation of civilizations.

• Autor principal: Jaramillo Loaiza, Hugo Enrique (author)
• Formato: bachelorThesis
• Publicado: 2016
• Materias: CREACION COLECTIVA; COLECTIVOS; AUTOGESTION CULTURAL; ARTE COMUNITARIO
• Acceso en línea: http://repositorio.utmachala.edu.ec/handle/48000/8372