La escultura contemporánea, como identidad cultural de los espacios públicos de la ciudad de Machala
This research deals with the cultural identity of the city's public spaces, with the purpose of rescuing them through sculpture as they are places that have formed a significant part of the history of Machala and have contributed to the growth And development of the city through its roots and c...
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| Formato: | bachelorThesis |
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2017
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| Acceso en liña: | http://repositorio.utmachala.edu.ec/handle/48000/10557 |
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Engadir etiqueta | Summary: | This research deals with the cultural identity of the city's public spaces, with the purpose of rescuing them through sculpture as they are places that have formed a significant part of the history of Machala and have contributed to the growth And development of the city through its roots and customs of its people. It is about inserting sculpture in a public space as a work of art, in constant contact with the viewer, being able to be analyzed and questioned in all its splendor. Since the time of the renaissance, sculpture has been part of public scenes, and over time its structure has been transformed, with the arrival of contemporary art and minimalism, the use of new materials, and the emergence of new artists who make Use of contemporary minimalist art to create works of art that challenge space, architecture, and link to the culture, roots and customs of peoples to make visible, historical events occurred in the place of the installation of the sculpture that identifies Its volume or body with the space where it is located, and in this way create an identity of the place of the events that occurred throughout history, which fill with pride and hidden feelings to the peoples and nations. |
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