Él arte como medio expresivo para denunciar la pérdida de los espacios iconográficos de nuestro entorno natural, machala 2017

The present research work has as its main point to address the problems immersed in the social circle, identifying the areas that are within it such as: identity, territory, environment, iconography and customs. With this we refer to Painting as an expressive means to denounce the loss of the iconographic spaces of our natural environment, Machala 2017. We affirm that over time the beings that make up society pass through stages of change, that is to say that according to the gradual advance of life, there are opportunities to remodel, update and adapt to our tastes; everything that at first sight seems simple, in this way we proceed to forget important points as it is, the proper care of what is therefore part of a history (territorial heritage). Due to the new tendencies of lifestyles, we proceed to act in a destructive way before nature, disappearing green areas such as mangroves, understanding that these places are a part of the ecosystem, functioning as well as the lungs of the environment, its main role is to filter the nutrients and contribute to the good state of the water. Our contributory way towards this event is through an approach of the problem, obtaining a critical and conscientious approach according to the construction of the pictorial artistic work. The artistic work in our town, linked to the complaint towards this action against the disappearance of the natural spaces at present is very satisfactory thanks to relevance of artists such as Mr. (Enrique Madrid), who with his marinas and the interpretative form of their productions, leads us to reflect on the benefits that comes with proper care of our natural environment. It is necessary to mention that important points were highlighted during the development of the research, as well as old and current pictorial references, which in their moments have represented these patrimonial conservation themes, working in the awareness-raising part of the spectator, both national and international artists are mentioned in the body of the text, as main elements of this inquiry. Thanks to the research procedure, the initiative was reached to generate possible artistic proposals demonstrating as main aspect the conservation of the territorial environment and its benefits, thus defending the coast zones, the abuse of man by its invasion and destruction. In this way, artistic production aims to provide a dialogue with the community with a participatory argument, which leads the public to question and act in a collaborative manner with the objective of the work. This is how all the research completed ends with the development of the work "Declive, 2018" opening the way to the interpretation of the use of the elements presented in it, creating an allusion to the disappearance of mangroves as a territorial identity, linking society with the importance that comes with the correct conservation of our natural ecological environment.

• Autor principal: Ayoví Estacio, Melisa Katherine (author)
• Formato: bachelorThesis
• Publicado em: 2018
• Assuntos: ARTE; SOCIEDAD; TERRITORIO; IDENTIDAD; PATRIMONIO; ICONOGRAFIA
• Acesso em linha: http://repositorio.utmachala.edu.ec/handle/48000/12348