Theatrical representations of memory, trauma and omission in the trilogy of the exile of Aristides Vargas
The Ecuadorian-Argentine dramatist and actor, Aristides Vargas, represents, in his trilogy on exile Flores arrancadas a la niebla (1995), Nuestra señora de las nubes (2000) y Donde el viento hace buñuelos (2004), the (non) memory that results from exile through the (non) encounters of the protagonis...
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| 格式: | article |
| 语言: | spa |
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2016
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| 在线阅读: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1091 |
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