Theatrical representations of memory, trauma and omission in the trilogy of the exile of Aristides Vargas

The Ecuadorian-Argentine dramatist and actor, Aristides Vargas, represents, in his trilogy on exile Flores arrancadas a la niebla (1995), Nuestra señora de las nubes (2000) y Donde el viento hace buñuelos (2004), the (non) memory that results from exile through the (non) encounters of the protagonis...

• Váldodahkki: Guzmán, Alison (author)
• Materiálatiipa: article
• Giella: spa
• Almmustuhtton: 2016
• Fáttát: Arístides Vargas; Ecuador; teatro; dictaduras; Latinoamérica; exilio; inmigración; trauma; memoria; olvido; theater; dictatorships; Latin America; exile; immigration; memory; omission
• Liŋkkat: https://revistas.uasb.edu.ec/index.php/kipus/article/view/1091