Libertad y forma en La amortajada, de María Luisa Bombal (Dossier: Muertos que narran)
Since its first publication in 1938, many of the dimensions of La amortajada have been assiduously studied, from its formal aspects, through its relationship with surrealism and the dissolution of the boundaries between reality and unreality, up to feminist approaches. In this essay we return to an...
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| Format: | article |
| Language: | spa |
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2024
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| Online Access: | http://hdl.handle.net/10644/9698 |
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