Naturaleza reimaginada: Lo visual y experiencial del entorno natural para elaborar una propuesta pictórica surrealista.
This thesis entitled, NATURE REIMAGINED: THE VISUAL AND EXPERIENCE OF THE NATURAL ENVIRONMENT TO DEVELOP A SURREALISTIC PICTORIC PROPOSAL, addresses the fundamentals of figurative surrealist painting concerning the artistic and aesthetic linked to the natural environment. The main objective of the r...
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| 格式: | bachelorThesis |
| 語言: | spa |
| 出版: |
2023
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| 主題: | |
| 在線閱讀: | https://dspace.unl.edu.ec/jspui/handle/123456789/26821 |
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添加標簽 | 總結: | This thesis entitled, NATURE REIMAGINED: THE VISUAL AND EXPERIENCE OF THE NATURAL ENVIRONMENT TO DEVELOP A SURREALISTIC PICTORIC PROPOSAL, addresses the fundamentals of figurative surrealist painting concerning the artistic and aesthetic linked to the natural environment. The main objective of the research was to learn the importance of the representation of the natural environment through the history of art and to learn the basics of the figurative surrealist movement and contemporary artistic references, which are the basis for developing the pictorial proposal. In the development of the research, the following methods were used: bibliographic, inductive-deductive, and experimental, which allowed approaching the study and analysis related to the theoretical treatises of the philosopher Lamarck that deals with the philosophy of nature, Carl Jung, and the relationship with the collective unconscious, as well as surrealism from the historical context, characteristics, manifestos, aesthetic categories and artistic references. Likewise, the study of conceptions about nature as a natural environment in correlation with the pleasures of the senses manifested through painting was considered. In addition, the experimental method was used to develop the recreation process of five pictorial works. At the end of the theoretical and practical review it is concluded that: the surrealist movement aims to express feelings and emotions coming from the unconscious, detached from objective reality. Moreover, an analysis of the works of Marianne North and Dimitra Milán, crucial but not decisive references to the emotional expression of the artist, was made, as the knowledge of the symbolic elements of nature and the use of the surrealist movement propitiates that the author identifies and appropriates them. Keywords: Art History; Reimagined Nature; Surrealist Painting; Pictorial Representation; Surrealism. |
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