El grafiti de banksy como arte de intervención basado en la estética relacional, como referente para realizar una propuesta plástica
Graffiti has been constituted an intrinsic relation of art "underground". Its emergence, development and evolution has allowed introduced into artistic categories. Its executors went from being mere aficionados to the organic stylization of letters and figures to professionals to the art d...
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| フォーマット: | bachelorThesis |
| 言語: | spa |
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2014
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| オンライン･アクセス: | http://dspace.unl.edu.ec/jspui/handle/123456789/16507 |
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タグ追加 | 要約: | Graffiti has been constituted an intrinsic relation of art "underground". Its emergence, development and evolution has allowed introduced into artistic categories. Its executors went from being mere aficionados to the organic stylization of letters and figures to professionals to the art dumps to the intervention calm, structured and thorough of urban elements. The same data collection of graffiti went from a photo album to detailed studies of underground art proposals, even Damien Hirst reinterpreted a Banksy work, or photographer Nick Stern re-doing the stencils of the English artist with real characters, Nothing of this would have been possible without the existence of geniuses like Basquiat, Haring and Banksy, the latter revolutionizing even the urban art market worldwide. Banksy has known to be constituted as the referent of the urban art of our time, his work has become universal, his influence is evident in the thousands of street artists, the reproduction of his work or the use of analogous forms or techniques. |
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